"I didn't like to mention that I had imagined his sister singing to me in my sleep"
Ever ambitious, the Hope Theatre have launched a Gothic Season which will run right up until Christmas, taking in play The Worst Was This, lesbian bonkbuster Her Aching Heart and opening with this Edgar Allan Poe adaptation The House of Usher. Created by Luke Adamson and Dan Bottomley and directed by Adamson with Phil Croft, it takes an actor-musician approach to the material and is very much its own version of the short story, pulling in influences from elsewhere in Poe's oeuvre and also the depths of the writers' own imaginations.
The House of Usher is told to us by the nameless figure of The Narrator, who unexpectedly finds himself invited to visit his old childhood friend Roderick Usher in their stately home. This he does, but he's shocked to find him in the throes of an illness that has heightened his sensitivities to unbearable levels. And he's not alone, Roderick's twin sister Madeline appears similarly afflicted but has a different take on the matter from her overly protective sibling, forcing the Narrator into a series of difficult decisions, something made more challenging by the eeriness of the house itself.